This is a ticketed event. Everyone must have a ticket for entry.
Join us before the show for dinner & drinks in The Lounge, our full-service restaurant & bar on the upstairs level which opens at 6pm. View menu & make a reservation.
Mezzanine ticket holders are seated on the balcony overlooking the main stage, with access to a private bar, restrooms, and dining area where you can order from The Lounge menu.
If you require accessible seating and none is available online, please contact us at boxoffice@worldcafelive.org or 215-222-1400 prior to the show so we can best accommodate your needs.
Join the WCL Fan Club for priority entry, food & merch discounts, exclusive offers, and more. Mega & Ultimate Fan levels include 24-hour presale access and no ticket fees.
World Cafe Live is a nonprofit independent venue where artistry meets social impact. Every purchase helps support our music education & community programs.
Self-described “Brass House” trio Too Many Zooz make manically kinetic instrumental music that combines avant-garde jazz, EDM, punk rock, and
sundry other traditions into their own distinctive brand of high-energy dance music. A viral sensation since they first emerged as New York subway
buskers in 2013, Too Many Zooz have evolved into a globally recognized phenomenon who tour often and produce YouTube videos that have
garnered millions of views.
Formed in 2013 in New York City, Too Many Zooz features the talents of baritone saxophonist Leo “Leo P” Pellegrino, trumpeter Matt “Doe”
Muirhead, and drummer David “King of Sludge” Parks. Pellegrino and Muirhead initially met while students at the Manhattan School of Music where they studied jazz. They eventually joined forces with percussionist Parks, whom Pellegrino had played with in a separate busking outfit. They began playing live at various New York subway stations and quickly attracted crowds with their aggressive instrumental sound and Pellegrinoʼs ability to
dance and hype the audience like a DJ while playing. In 2014, a video of the band went viral and helped set the stage for the groupʼs meteoric rise.
In 2016, the trio released their debut full-length album,Subway Gawdz, which featured guest spots from Kreayshawn, Armani White, members of
Galactic, and Beats Antique. That same year they were featured on Beyonceʼs Lemonade album, and performed with Beyonce and The Dixie Chicks at
the CMAʼs.
Over the course of the next several years, Too Many Zooz continued to release EPʼs and singles – includingZombiEP (2019), a concept album about a
fictional band playing a music festival during a zombie outbreak, plus collaborations and remixes with The Floozies, Beats Antique, Spencer Ludwig,
Moon Hooch, Dot Cromwell, Nitty Scott, Lester London, and RoRo. All of that set the stage for the bandʼs 2024 sophomore album Retail Therapy – a
13-song chronicle of auditory subway cinema that features appearances from Moon Hooch, Thumpasaurus, Lucky Chops, and Too Many Tʼs.
Michael Wilbur is a highly acclaimed American multi-instrumentalist, composer, producer, and vocalist, celebrated for his virtuosity on the Bass and Tenor Saxophones. Born in Brockton, MA, and currently based in Western Massachusetts, Michael's musical journey began at the New School in New York City, where he co-founded the groundbreaking band Moon Hooch. Known for their unique blend of jazz, dance music, and experimental hip-hop, Moon Hooch quickly gained fame for their electrifying performances on New York City subway platforms before achieving international acclaim. In addition to his work with Moon Hooch, Michael Wilbur is a co-founder of Thundersmack, bringing his innovative sound to new heights. His solo projects showcase a broad range of genres, defying traditional musical boundaries and captivating audiences worldwide. Beyond his performance career, Michael is a dedicated vegan and environmental advocate, integrating his commitment to sustainability into his artistic endeavors. He also engages in educational initiatives, sharing his expertise through music lessons and speaking at events such as TEDx conferences.