This is a ticketed event. Everyone must have a ticket for entry.
Join us before the show for dinner & drinks in The Lounge, our full-service restaurant & bar on the upstairs level which opens at 6pm. View menu & make a reservation.
Mezzanine ticket holders are seated on the balcony overlooking the main stage, with access to a private bar, restrooms, and dining area where you can order from The Lounge menu.
If you require accessible seating and none is available online, please contact us at boxoffice@worldcafelive.org or 215-222-1400 prior to the show so we can best accommodate your needs.
Join the WCL Fan Club for priority entry, food & merch discounts, exclusive offers, and more. Mega & Ultimate Fan levels include 24-hour presale access and no ticket fees.
World Cafe Live is a nonprofit independent venue where artistry meets social impact. Every purchase helps support our music education & community programs.
Tunisian/American, New York City-based art pop musician Emel Mathlouthi, AKA EMEL, has announced her newest LPMRA. A beguiling coalescence
of ethereal hip-hop and indie-pop sounds that is, at turns, a call to compassion and to action, it is due out April 19th via her own Little Human label.
Alongside this announcement, she shared the new single + video “Lose My Mind (feat. Nayomi).” A multicultural excursion blending a unique, bouncing Arabic reggaeton drumbeat with EMELʼs own flair, and a bilingual guest verse from smokey-voiced Iraqi-Swedish rapper Nayomi, the track is about the distance that can't be unbridged between two people, when they lose connection and drift apart. It explores one's desperate quest for liberation and meaning as they get stuck between a fading passion and fear of the unknown.
On this new album, EMEL continues her musical exploration, as well as her fight for Global freedom through an explicitly feminine/feminist lens. MRA, meaning “woman” in Arabic, seeks to amplify and strengthen the voices of women worldwide, specifically in a largely male driven music industry, through heavy beats and hooky melodies. The record is as much about EMEL using her voice as it is a rally cry that her fellow women do so freely, with the same opportunities and in the same spaces as their male counterparts.
Having worked alongside such formidable visionaries as Iranian filmmaker, Shirin Neshat, and multimedia artist, Laurie Anderson, she knows the mutually beneficial strength forged by working with women, sharing a platform and trusting one another. “I've come to discover the true meaning of
sisterhood. I'm not interested in the inherited feeling that other women are my rivals anymore,” she says. “I want us to change the system from within by and through women.”